闺蜜艾娃(多米尼卡·克鲁兹尼亚克)和玛雅(玛雅·荷史)认为她们在每日乏味工作、苦恼的孩子和讨厌的男人中举步难行。于是决定忘掉这一切，去一家高级休闲会所来点个人休闲时光。在那里，她们遇见了以为美丽的按摩...

花城发生命案，警探林枫发现魔术师 Michael有重大嫌疑。原来，当年黑老大孟广海杀害Michael父母，利用法规漏洞侵吞公司资产， Michael借魔术展开复仇。林枫成功破案，并促进法规完善。

The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

刘伟立与宛芬夫妻恩爱. 芬贪慕虚荣, 得知立快升任副理, 便粉饰家居, 分期付款购买电器及家具. 为了升职一事, 夫妇俩不惜大拍董事长一家马屁. 结果, 副理由董事长儿子担任, 立、芬只好眼巴巴看家里一切给债主搬走. （来源：香港电影资料馆）

出品、摄制单位:大连恒光文 化传媒有限公司、上海电 影集团公司许可证号电审数字【入刃7】 第287号声音制式5.1 福别l:1.78 片长92分钟编剧朱恩涛杨子导演车径行摄影宋德华制片王奇...

在海南海口，老街的居民们依然过着悠闲的生活。经营咖啡馆的老林遇到了久未谋面的儿子的朋友，快递员席展发现了自己的房东老万无法说出口的秘密，来海南养老的退休干部老韩拉着儿子寻找自己的宠物八哥，拍了一辈子照...

由新加坡導演黃程瀚執導，紀錄米其林二星餐廳老闆江振誠的事業軌跡。講述台灣名廚André Chiang江振誠面對食物、生活皆追求完美的態度，也揭開他捨棄名利、結束新加坡米其林二星餐廳的原委。

本是程国公府的嫡小姐，却因父母遭人陷害，家破人亡。机缘巧合之下，成为了不生不死的“鬽”，蛰伏十年，踏雪归来，只为复仇。殊不知，在踏入程府的那一刻起，命运便和几个男子缠绕在一起……

靖国将军之子萧奇风与宁国公主国婚当晚，一副穿着青衣的骸骨赫然出现在废井之中！萧将军、萧夫人、天命司玄女素晴争相认罪，靖国皇后竟险些遭遇刺杀，萧府一时间成修罗场，“青衣骸骨”背后的真相也逐渐浮出水面。

阮弥筝为了救阮家于水火之中，签下为商家窝囊废生子的合同。母亲却以她败坏阮家名声为由与她断绝关系，把她赶出家门。五年后阮弥筝带着儿子盛越瑄出现，和商为渊再次相遇后发现他竟然是商业翘楚。商为渊愿再错过这份感情，却发现阮弥筝的身边已经有人陪伴。商为渊想要尽力弥补他们母子，却被儿子盛越瑄故意为难。